The Air Montserrat console pioneered digital control technology; the AIR module builds upon the legacy of the remote preamps from this legendary console. The AIR module can be controlled from an 88R console or a connected Mac/PC. Taking advantage of this system by placing the 1081R rack in the live room keeps mic lines short, improving signal degradation at the crucial sound capture stage.

The toroidal transformer used in the AIR module was specially chosen by Geoff Emerick as it provided a very low noise floor and wide bandwidth. This transformer helps to produce the stunning level of detail that made the AIR preamps famous, essential for ambient recordings.

This efficient preamp uses class A/B circuitry to produce its high output with no crossover distortion.

The endless stepped gain encoder applies preamp gain in 5dB steps. This system ensures ultimate accuracy when applying gain to a rack of preamps, either from the front of the unit or remotely from a connected Mac, PC or 88R console.

The exact gain levels displayed on the front-mounted digital readout, with independent signal presence and clip LEDs, provide an effective at-a-glance readout of settings, ideal for large tracking sessions.

The Air Montserrat console preamps were famous for their clarity and detail. The AIR module remote preamp uses the same technology and design to create a low noise floor and wide bandwidth, making it ideal for ambient recordings.

The phantom power, -20dB pad, and phase invert can be accessed from the front panel or locked out and controlled entirely from the remote control software.

The DIR button activates a relay that completely bypasses the preamp circuitry and connects the front panel XLR to the rear panel Varicon output. This feature allows for seamless integration by giving access to a console patch bay or recording system inputs without disconnecting the rack.